The Digital Human Experience: Exploring the Intersection of Digital Art and the Modern Condition

In the digital age, the human experience has undergone a profound transformation, as the ubiquity of technology has reshaped the ways in which we engage with the world around us. This is particularly evident in the realm of digital art, where the integration of digital technologies has led to the emergence of new artistic forms and mediums that challenge traditional notions of art and the creative process.

The rise of digital art has been driven, in part, by the increasing accessibility of digital tools and platforms, which have empowered artists to create, distribute, and interact with their work in novel ways (Shahriar & Hayawi, 2021). Many artists have found that working with computers has stimulated them to push the boundaries of their artistic vision, leading to the exploration of new dimensions and the breaking of established conventions. As the digital revolution continues, the demand for expressing art in the digital world has only grown, with the advent of technologies like non-fungible tokens providing new avenues for artists to assert ownership and copyright over their digital creations. (Shahriar & Hayawi, 2021)

Natively digital generation can intimately engage with the human condition through the lens of digital art, using it as a means to explore themes of identity, emotion, and the experience of living in an increasingly connected, yet often impersonal, world. This new expression is reflective of the broader changes in how we perceive and navigate our digital identities, as individuals become inextricably linked to the virtual dimensions of social, economic, and artistic fields.

The implications of this shift are profound, as the boundaries between the physical and the digital become increasingly blurred. As the role of code and software gains fundamental value in the creative process, the ways in which we understand, create, and experience art are being fundamentally reshaped. The very nature of storytelling and narrative is evolving, with audiovisual and multimedia formats gaining prominence over the written word. (Sánchez-López et al., 2020)

Sánchez-López, I., Rodríguez, M. A. P., & Igado, M. F. (2020). The explosion of digital storytelling. Creator’s perspective and creative processes on new narrative forms. In Heliyon (Vol. 6, Issue 9). Elsevier BV. https://doi.org/10.1016/j.heliyon.2020.e04809
Shahriar, S., & Hayawi, K. (2021). NFTGAN: Non-Fungible Token Art Generation Using Generative Adversarial Networks. In arXiv (Cornell University). Cornell University. https://doi.org/10.48550/arxiv.2112.10577