Nam June Paik, the visionary South Korean-American artist, was a trailblazer in the realm of video art, whose innovative and avant-garde approach transformed the medium into a powerful tool for artistic expression. Paik's groundbreaking work not only challenged the traditional boundaries of art, but also paved the way for the integration of technology and creativity, laying the foundation for a new era of interactive and immersive artistic experiences.

Digital art has emerged as a powerful medium for expressing creativity and evoking emotional responses. In the modern digital landscape, where social media and online connectivity have become ubiquitous, the demand for digital art has surged, with consumers seeking ways to engage with and appreciate art in the virtual realm.

Art collecting has undergone a remarkable transformation in recent decades, with the rise of media and time-based art forms fundamentally altering the landscape for collectors and cultural institutions. The emergence of digital media art in the late 20th century has challenged traditional notions of art, pushing the boundaries of what can be collected, preserved, and experienced.

The process of engaging with art is a profoundly transformative experience, one that can transcend the boundaries of the physical world and propel the individual into realms of heightened perception and altered consciousness. This phenomenon, often referred to as neuroaesthetics, explores the intricate neural mechanisms that underlie the aesthetic experience, revealing the profound impact of the arts on the human mind and body. (Magsamen, 2020)

The growing importance of media art and video art is further reflected in the increasing presence of these collections in academic institutions and private collections. Academic institutions have recognised the value of these artforms, with many universities and colleges opening specialised programs and departments to support the development and study of media art and video art.

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The proliferation of digital art as a medium has ushered in a new era of customisable, programmable wall displays that are reshaping the way we perceive and interact with our living spaces (Hürst et al., 2016) (Zhao et al., 2024). These digital canvases, ranging from large-scale video walls to interactive art installations, offer homeowners the ability to curate and manipulate their own digital art pieces, transforming their homes into ever-evolving galleries that reflect their personal tastes and moods. (Xiao & Deling, 2016) (Hürst et al., 2016) (Cabannes et al., 2019) (Truckenbrod, 1986)

In the digital age, the human experience has undergone a profound transformation, as the ubiquity of technology has reshaped the ways in which we engage with the world around us. This is particularly evident in the realm of digital art, where the integration of digital technologies has led to the emergence of new artistic forms and mediums that challenge traditional notions of art and the creative process.

Navigating the realm of art can be a deeply personal and introspective journey, as we each possess a unique lens through which we perceive and interpret the visual world around us. The process of discovering one's personal aesthetic is inextricably linked to the act of self-actualization, where the individual's own sense of meaning and identity becomes intertwined with their engagement with artistic expression. (Karakozov, 1996)